The theater was built in the early Roman period and was renovated in the 2nd century A.D. It had the capacity of 5,000 people.
Telmessos (or Telmessus), later Anastasiopolis, then Makri/Macre was the largest city in Lycia, near the Carian border, and is sometimes confused with Telmessos in Caria. The well-protected harbor of Telmessos is separated from the Gulf of Telmessos by an island.
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The original first century B.C. construction date of the theater was suggested by a dedication inscribed on the stage building. In the 2nd century A.D. certain structural changes were made to make the theater suitable for gladiatorial combats.
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The Collegium Maius, or Great College, in Kraków, Poland, is the Jagiellonian University's oldest building, dating back to the 15th century. It stands at the corner of ulica Jagiellońska (Jagiellon Street) and ulica Świętej Anny (St. Anne Street).
The Collegium Maius was rebuilt in the late 15th century as a late-Gothic structure surrounding a large courtyard bordered with arcades. In 1517 a well was built in the center of the courtyard. Professors lived and worked upstairs, while lectures were held downstairs.
In the 1490s the Collegium Maius counted among its students Nicolaus Copernicus, the Renaissance astronomer and polymath who would revolutionize European ideas about the universe.
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The Palace of Fontainebleau, located 34.5 miles from the centre of Paris, is one of the largest French royal châteaux. The palace as it is today is the work of many French monarchs, building on a structure of Francis I. The building is arranged around a series of courtyards. The city of Fontainebleau has grown up around the remainder of the Forest of Fontainebleau, a former royal hunting park.
The palace introduced to France the Italian Mannerist style in interior decoration and in gardens, and transformed them in the translation. The French Mannerist style of interior decoration of the 16th century is known as the "Fontainebleau style": it combined sculpture, metalwork, painting, stucco and woodwork, and outdoors introduced the patterned garden parterre. The Fontainebleau style combined allegorical paintings in moulded plasterwork where the framing was treated as if it were leather or paper, slashed and rolled into scrolls and combined with arabesques and grotesques. Fontainbleau ideals of female beauty are Mannerist: a small neat head on a long neck, exaggeratedly long torso and limbs, small high breasts—almost a return to Late Gothic beauties. The new works at Fontainebleau were recorded in refined and detailed engravings that circulated among connoisseurs and artists. Through the engravings by the "School of Fontainebleau" this new style was transmitted to other northern European centres, Antwerp especially, and Germany, and eventually London.